The Doors [SOUNDTRACK]

Track Listings
1. Movie - The Doors, Jim Morrison
2. Riders on the Storm
3. Love Street
4. Break on Through (To the Other Side)
5. End
6. Light My Fire
7. Ghost Song - The Doors, Jim Morrison
8. Roadhouse Blues
9. Heroin - Nico, The Velvet Underground
10. Carmina Burana (Introduction) - Atlanta Symphony Orchestra & Chorus, Atlanta Symphony Orchestra & Chorus
11. Stoned Immaculate - The Doors, Jim Morrison
12. When the Music's Over
13. Severed Garden (Adagio) - The Doors, Jim Morrison
14. L.A. Woman

This is the original soundtrack out of the doors movie. It features many of their classic songs, nothing you haven't already heard. Also, includes a song from the Velvet Underground "Heroin", and "Carmina Burana" performed by the Atlanta Symphony. As well with a few of Jim Morrison's spoken poems.

I think this album will be a good addition to any rock n' roll collection and a pretty good introduction of the doors, for those out there who aren't too familiar with their work.

The Doors Original Soundtrack Recording [SOUNDTRACK] part 1

The Doors Original Soundtrack Recording [SOUNDTRACK] part 2

The Last Samurai - [SOUNDTRACK]

The Last Samurai (2003)
User Rating: 7.8/10 (71,941 votes)
Overview
Director:Edward Zwick
Writers :John Logan (story)

Track List of The Last Samurai - [SOUNDTRACK]

1. A Way Of Life
2. Spectres In The Fog
3. Taken
4. A Hard Teacher
5. To Know My Enemy
6. Idyll's End
7. Safe Passage
8. Ronin
9. Red Warrior
10. The Way Of The Sword
11. A Small Measure Of Peace

The Last Samurai - [SOUNDTRACK]

Audio CD (November 25, 2003)

Editorial Reviews
Amazon.com

Whether Tom Cruise's portrayal of a 19th century American soldier cum samurai warrior will be remembered with the same pangs of pop-cultural bemusement that befell John Wayne playing Genghis Khan remains to be seen. But its musical soundtrack does mark an auspicious occasion: pop musician-turned-composer Hans Zimmer's 100th score since beginning his film career in 1988. A pioneer of fusing both the electronic and orchestral and the Westernized with the indigenous, Zimmer does both here with skill, drawing heavily on samples of the traditional Taiko (a massive Japanese drum) for its rhythmic action sequences, while constructing a melodic Western motif for Cruise's character that's both centerpiece and counterpoint for the score's transcultural intent. Aside from the brief, ominous thunder of the expected action/suspense boilerplate, Zimmer has constructed passages of gentle, Asian-inflected pastoralism that have parallels with much of his evocative work on The Thin Red Line. Those cues are the score's very soul, a canvas against which his more traditional themes reverberate all the stronger. by Jerry McCulley

Leon [SOUNDTRACK]

Léon (1994)
User Rating: 8.6/10 (122,556 votes)
Top 250: #38
Overview
Director:Luc Besson
Writer:Luc Besson

Track List of Leon [SOUNDTRACK]
1. Noon
2. Cute Name
3. Ballad for Mathilda
4. What's Happening out Ther
5. She Is Dead
6. Fatman
7. Leon the Cleaner
8. Can I Have a Word With You?
9. Game Is Over
10. Feel the Breath
11. Room 4602
12. Very Special Delivery
13. When Leon Does Hisbest
14. Back on the Crime Scene
15. Birds of Storm
16. Tony the IBM
17. How Do You Know It's Love
18. Fight, Pt. 1
19. Fight, Pt. 2
20. Fight, Pt. 3
21. Fight, Pt. 4
22. Two Ways Out
23. Hey Little Angel

Leon [SOUNDTRACK]

Audio CD (July 18, 1994)
Original Release Date: November 18, 1994

Leon (1994 Film) [SOUNDTRACK]
Eric Serra (Performer),
Gary Oldman (Performer),
Natalie Portman (Performer),
Danny Aiello (Performer),
Peter Appel (Performer),
Willi One Blood (Performer),
Don Creech (Performer),
Keith A. Glascoe (Performer),
Randolph Scott (II) (Performer),
Michael Badalucco (Performer),
Ellen Greene (Performer),
Elizabeth Regen (Performer),
Carl J. Matusovich (Performer),
Frank Senger (Performer),
Lucius Wyatt Cherokee (Performer),
Eric Challier (Performer),
Luc Bernard (Performer),
Maïwenn Le Besco (Performer),
Jessie Keosian (Performer),
George Martin (II) (Performer)

María do Ceo - FADO

Track List of María do Ceo - FADO

01 Malmequer
02 Verde Galicia
03 Mâlhao
04 Asa do Vento
05 Si o vento
06 Un tranvía de flores para Amalia
07 Lavava no río
08 Fado loucura
09 Estranha forma de vida
10 Traiste o meu sonho
11 Piensa en mi
12 Dende Baiona a Muxía
13 Valentim
14 Sancristan
15 Recado a Lisboa


María do Ceo - FADO * 1 *
María do Ceo - FADO * 2 *

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Joanna - Primaveras e Verões [1989]

Track List of Joanna - Primaveras e Verões :

1. Nosso Amor
2. Ouvindo Estrelas
3. Quem Viver Vera
4. Nunca Sofri por Amor
5. Olho por Olho
6. Luz Acesa
7. Verso E Cancao
8. Meu Jogo
9. Desculpas
10. Neblina
11. Remelexo
12. Primaveras E Veroes

Joanna - Primaveras e Verões [1989] * 1 *

Joanna - Primaveras e Verões [1989] * 2 *

Gal Costa - Aquarela do Brasil [1980]

Gal Costa (born Maria da Graça Costa Penna Burgos September 26, 1945) in Salvador, Bahia, Brazil, is a popular singer in Brazil.

Influenced by music from a young age by her record store owner father, Costa became one of Brazil's foremost female Tropicalismo movement singers and guitar players during the late 1960s and 70s. Along with her friend Maria Bethânia, she became a political activist often coming into conflict with Brazil's military government when dissent in music was censored in 1968. Read More About Maria da Graça Costa Penna Burgos

Track List of Gal Costa - Aquarela do Brasil :

1. É Luxo Só
2. Já Era Tempo
3. Camisa Amarela
4. Na Baixa Do Sapateiro
5. Folha Morta
6. No Tabuleiro da Baiana - com Caetano Veloso
7. Jogada pelo Mundo
8. Inquietação
9. Tu
10. Faceira
11. Novo Amor
12. Aquarela do Brasil

Gal Costa - Aquarela do Brasil [1980]

Audio CD (February 8, 1990)
Original Release Date: 1984

Amazon
Editorial Reviews
About the Artist
Dona Mariah's only daughter, Maria da Graça Costa Penna Burgos, was born in Salvador, Bahia and was brought up listening to music - on the radio always turned on in the house, in the record store where she worked as a teenager, at the Tenis Baiano Club - with friends, until she got in touch with the group of rising stars, such as Caetano Veloso who in the early '60s was already pioneering towards the new Brazilian Popular music. Later came the courage to come down to Rio and São Paulo. The first show in São Paulo, "Arena Canta Bahia", wasn't exactly a hit but who ever saw it, will never forget it: Gal still called herself "Gracinha", was quiet and thoughtful, listening most of the time and being only listened when she sang Bossa Nova standards. When everything became psychedelic and marvellous with Gilberto Gil's, Tom Ze's, Torquato Neto's antropophagic Tropicalismo, Maria de Graça turned into Gal (from the nickname "Gau", given by a younger cousin), Brazil was going through a dictatorship totally against new ideologies and concepts, and while Gil and Caetano chose to become political exiles in London, Gal took part in politically radical concerts, thighs and hair swaying to the sound of Jorge Benjor, Adoniram Barbosa, Luis Melodia, Roberto and Erasmo Carlos. Even then Gal already had the ability to turn any song immersed in prejudice, such as the wishy-washy romantic songs on the hit parades and the almost forgotten sambas by old composers, into dark jewels of unbelievable value for the cultural Brazilian soul. She started using words more and more, preferably to sing, to express herself through other composers' lyrics, she never wrote a song. The habits were changing and Gal was showing the change. She went through several periods: the belly button, and the barefoot periods, changing and trying to find the right temperature of a country made of miracles, highways, sugar cane, soccer World Cup, feathers and high-rises. Gal gave her name to the dunes of a beach in Rio. She was known to all who had long hair and colorful necklaces. She started to guide the camping groups of the first and last Brazilian hippies, natural rice and bananas - and set up a trademark, an enormous mouth with bloodred lipstick, bleeding over the Carnivals, bathed by the merry sounds of its music, the sun and an ever rising success. The campus stages and those of alternate show places suddenly became too small. It was time to cross the borders. And in the early '80s, several countries received her setting up an international bridge, with concerts in Japan, France, Israel, Argentina, USA, Portugal, Italy... "O Sorriso do Gato de Alice is the twentieth album of a career that confirming João Gilberto's omen, turned into one of the most successful in the international music world. Actually, as was previously said, Gal Costa's voice is our best exportation choice.